These DCTLs enable you to precisely select and modify a specific hue range, adjusting its saturation, density, or hue. Uniquely, these DCTLs also allow you to choose a luminance range within the selected hue, ensuring that adjustments affect only the shadows, midtones, or highlights. This targeted approach enhances precision in color grading, providing optimal control […]
DaVinci Resolve PowerGrades. Inspired by:– “Shutter Island”– “Silence”– “The Other Guys”– “Jurassic World”– “Inglourious Basterds”– “Iron Man 2”– “A Quiet Place”– “Skyfall”– “Dunkirk”– “The Wolf of Wall Street”– “King Richard”– “Milk” The ZIP file contains .drx files (DaVinci Resolve Exchange) and user manuals in PDF format. Compatible with DaVinci Resolve 17. MacOS, Windows, Linux. No […]
The “Looks” in this pack are designed specifically for ARRI ALEXA LogC3. If you’re working with different camera systems, my recommendation is to start your node tree with a Color Space Transform (CST). This will allow you to convert your camera’s log space to ARRI ALEXA LogC3. The “LOOK” DCTL in this pack generates an […]
Our Color Palette DCTL Tool extracts colors from any film still, providing a clear reference for maintaining visual consistency and enhancing storytelling. Ideal for filmmakers, DoPs, and colorists, this tool ensures mood continuity and aesthetic harmony.
Welcome to my course, where I will guide you through reverse engineering a grade from scratch using behind-the-scenes images. These images are captured with still cameras, while the films were shot on various cinema cameras, each with its own color science. The goal of this course isn’t to perfectly match a single frame. Instead, we […]
